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• The SIM turns 100!
• Busoni
• Heimat - Home?
• But of Course!
• The Long Road to Spandau
• How Museums Can Help to Save the World
• Reconsidering Schinkel’s Academy of Architecture
• The Reconstruction of the Bauakademie: Architectural Museum and Think Tank
• Qalamos: One Portal To Find Them All
• Rescued from Oblivion
• Dahlem Research Campus Takes Shape
• Research Questions: Digital Libraries Based on AI and OCR
• Documented, Not Posed: The Rediscovery of Leonore Mau
• Buddhist Monasteries on Computer Servers at the Staatsbibliothek
• Research Questions: Electronic Music
• Controversial Cultural Heritage: the Cellulose Nitrate Network
• An Unexpected Addition: New Rembrandt in the Gemäldegalerie
• A Cuckoo’s Egg in the Staatsarchiv
• "The bandura is the voice of Ukraine."
• ForschungsFRAGEN: Pest Control
• ForschungsFRAGEN: Paper Restoration
• The research agenda can no longer be set from Germany
• "Geliebteste Freundin" / "My dear friend" – Varnhagen letters in the Staatsbibliothek
• From Poland to Prussia: Portrait of Dr. Aleksandra Girsztowt, fellowship recipient
• East Prussia Unbounded
• Unheard of: Solo Sonatas by Albert Louis Frédéric Baptiste in the Staatsbibliothek zu Berlin
• “We have to explain more clearly why museums are systemically important”
• Conference Proceedings: “Electronic Musical Instruments in Museum Collections”
• Preservation in the Viewfinder
• The Hours of the Duchess: Restoring an Illuminated Manuscript from the Middle Ages
• The Case of the Misunderstood Wittgenstein
• Detective Work in Dahlem
• Bach and Watermarks – Digitization at the Staatsbibliothek zu Berlin
• The Prussian at the Topkapi Palace
• The Atlantis of Iraq – In Search of Al-Hīra
• Gelatin silver on baryta paper
• Just discovered: the unconventional life of Marianne of Prussia
• “Microorganisms help us to understand the objects in the collections better”
• “Every experience is different in this pandemic.”
• Teaching computers to read text correctly
• Of Mummies and Rocket Fuel – The Careers of Scholars in Latin American Exile
• Kaiser Wilhelm on Kilimanjaro
• “In Berlin and Buenos Aires, the past is present in an inescapable and tragic way.”
• “We want to learn from you”
• “Many dispatches have still not been deciphered”
• Creating Great Things with the Minimum of Resources
• Green Projects at the SPK
• There Is a Lot to Do, So Let’s Get Started!
• Seats in the House of Cards
• New Neue Nationalgalerie: From the Outside In (Part 2)
• Wrecked! Ruined! Defaced!
• The James-Simon-Galerie Is Finally Open
• Pergamon Topping Out Ceremony: A Big Step for the Museumsinsel Master Plan
• The New Neue Nationalgalerie: Gutting and Repairing (Part 1)
• What Does the Staatsbibliothek Have Planned for 2019?
• The Foundation is Building
• Where is SPK building?
• Crime Scene: Museum. How to Tackle Cultural Vandalism
• Much More Than a Partnership of Convenience
• Where have we come from, where are we going?
• The Unity of Picture and Frame: Glazing Does Not Provide Complete Protection
• Riches from the Rubble
• German Sales Data Base: Tracking Art Stories
• "Susanna", Begas, Mosse – The Story Behind the Object
• Expelled, Dispossessed, Interned: The Saulmann Heir in an Interview
• Grave Goods From Alaska
• “The West was not worthy of such works of art“
• “We want to delve more deeply into the objects' histories“
• PREP: Slashes in a Feininger - tracking their history
• PREP: Potential for Art Market Research
• “In order to return something, you have to know where it comes from“
• PREP: Building a Research Autobahn
• So Why Is It Taking So Long?
• PREP: Secrets / Riddles / Questions on the backs of paintings
• The Pedigree of Pictures – Research into the Gallery of the 20th Century in Berlin
• What has happened since the 2008 restitution request for the Guelph Treasure?
• What is the Guelph Treasure?
• Findings of the Provenance Research Regarding the Sale of the Guelph Treasure in 1935
• Why was the Sale of the Guelph Treasure not a Forced Sale?
• Right to be Returned?
• The Silence of the Angels
• Michaela Scheibe: The Detective
• The Search Goes On
• „Washington was a Revolution“
• Time Does Not Heal Wounds
• The Publishing King’s Lion
• No Silence in the Forest
• Just and Fair
• Global outlook inspires daring new directions
• Prospects for a Decolonial and Creative Future
• We are not showing original artifacts
• Township Wall: 100-Piece Artwork Finds a New Home
• Major textile project: moving the Lienzo Seler II to the Humboldt Forum
• In the Land of the Chokwe
• A Major Comprehensive Plan: Avoiding Piecework
• “Killer whales always stick together”
• At a Glance: The Humboldt Forum
• Ethnologists Are Not Perpetrators
• The Move: From Dahlem to Mitte
• Theo Eshetu and the Dahlem Museums on documenta14
• What will the Palace contain? Conversations With Curators at the Humboldt Forum: Manuela Fischer
• Critical Source Work: The Humboldt Forum's Makers in South Africa
• A Sanchi Gate Made of Red Sandstone from Röttbach
• The pandemic endurance test. When you can only visit the museum virtually
• museum4punkt0: A Group Is More than the Sum of its Subprojects
• Six Digital Concepts for the Museum of Tomorrow
• The final frontier: SPK’s digital portals
• Singing Together Again at Last!
• The Great Benefactors
• My Eagerness is Much Greater
• Back for the Future: The Simon Sisters in Berlin
• Thank you, thank you, thank you, dear Pietzsches!
• Rebecca Wolf on her plans for the Staatliches Institut für Musikforschung
• There Was Once More Gold
• Best Times for Beethoven
• Calculating the Sounds of Music
• The Forced Emigration of Curt Sachs
• The Prophet of Viktoria-Luise-Platz
• Busoni Between the Lines
• 2019 Annual Report: Is the Fun Over?
• [Translate to English:] Das Leben in Schachteln
• In Focus 2018: One complete overhaul, please!